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הסתר הודעה

  ניווט ראשי
Portrait of a Thief
תמונה של  Portrait of a Thief
Portrait of a Thief
A Novel
מאת Grace D. Li
קח בהשאלה קח בהשאלה
INSTANT NEW YORK TIMES BESTSELLER
An Edgar Award Nominee for Best First Novel
Longlisted for the Center for Fiction's First Novel Prize
Named a New York Times Best Crime Novel of 2022
Named A Most Anticipated Book of 2022 by *Marie Claire* *Washington Post* *Vulture* *NBC News*  *Buzzfeed* *Veranda* *PopSugar* *Paste* *The Millions* *Bustle* *Crimereads* Goodreads* *Bookbub* *Boston.com* and more!


"The thefts are engaging and surprising, and the narrative brims with international intrigue. Li, however, has delivered more than a straight thriller here, especially in the parts that depict the despair Will and his pals feel at being displaced, overlooked, underestimated, and discriminated against. This is as much a novel as a reckoning."
—New York Times Book Review
Ocean's Eleven
meets The Farewell in Portrait of a Thief, a lush, lyrical heist novel inspired by the true story of Chinese art vanishing from Western museums; about diaspora, the colonization of art, and the complexity of the Chinese American identity

History is told by the conquerors. Across the Western world, museums display the spoils of war, of conquest, of colonialism: priceless pieces of art looted from other countries, kept even now. 
Will Chen plans to steal them back.
A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son who has always been his parents' American Dream. But when a mysterious Chinese benefactor reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago. 
His crew is every heist archetype one can imag­ine—or at least, the closest he can get. A con artist: Irene Chen, a public policy major at Duke who can talk her way out of anything. A thief: Daniel Liang, a premed student with steady hands just as capable of lockpicking as suturing. A getaway driver: Lily Wu, an engineering major who races cars in her free time. A hacker: Alex Huang, an MIT dropout turned Silicon Valley software engineer. Each member of his crew has their own complicated relationship with China and the identity they've cultivated as Chinese Americans, but when Will asks, none of them can turn him down. 
Because if they succeed? They earn fifty million dollars—and a chance to make history. But if they fail, it will mean not just the loss of everything they've dreamed for themselves but yet another thwarted at­tempt to take back what colonialism has stolen.
Equal parts beautiful, thoughtful, and thrilling, Portrait of a Thief is a cultural heist and an examination of Chinese American identity, as well as a necessary cri­tique of the lingering effects of colonialism.
INSTANT NEW YORK TIMES BESTSELLER
An Edgar Award Nominee for Best First Novel
Longlisted for the Center for Fiction's First Novel Prize
Named a New York Times Best Crime Novel of 2022
Named A Most Anticipated Book of 2022 by *Marie Claire* *Washington Post* *Vulture* *NBC News*  *Buzzfeed* *Veranda* *PopSugar* *Paste* *The Millions* *Bustle* *Crimereads* Goodreads* *Bookbub* *Boston.com* and more!


"The thefts are engaging and surprising, and the narrative brims with international intrigue. Li, however, has delivered more than a straight thriller here, especially in the parts that depict the despair Will and his pals feel at being displaced, overlooked, underestimated, and discriminated against. This is as much a novel as a reckoning."
—New York Times Book Review
Ocean's Eleven
meets The Farewell in Portrait of a Thief, a lush, lyrical heist novel inspired by the true story of Chinese art vanishing from Western museums; about diaspora, the colonization of art, and the complexity of the Chinese American identity

History is told by the conquerors. Across the Western world, museums display the spoils of war, of conquest, of colonialism: priceless pieces of art looted from other countries, kept even now. 
Will Chen plans to steal them back.
A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son who has always been his parents' American Dream. But when a mysterious Chinese benefactor reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago. 
His crew is every heist archetype one can imag­ine—or at least, the closest he can get. A con artist: Irene Chen, a public policy major at Duke who can talk her way out of anything. A thief: Daniel Liang, a premed student with steady hands just as capable of lockpicking as suturing. A getaway driver: Lily Wu, an engineering major who races cars in her free time. A hacker: Alex Huang, an MIT dropout turned Silicon Valley software engineer. Each member of his crew has their own complicated relationship with China and the identity they've cultivated as Chinese Americans, but when Will asks, none of them can turn him down. 
Because if they succeed? They earn fifty million dollars—and a chance to make history. But if they fail, it will mean not just the loss of everything they've dreamed for themselves but yet another thwarted at­tempt to take back what colonialism has stolen.
Equal parts beautiful, thoughtful, and thrilling, Portrait of a Thief is a cultural heist and an examination of Chinese American identity, as well as a necessary cri­tique of the lingering effects of colonialism.
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  • From the cover

    1

     

    Will

     

    State your name for the record, please."

     

    This was how things began: Boston on the cusp of fall, the Sackler Museum robbed of twenty-three pieces of priceless Chinese art. Even in the museum's back room, dust catching the slant of golden, late-afternoon light, Will could hear the sirens. They sounded like a promise.

     

    "Will Chen."

     

    "And what were you doing at the Sackler Museum, Mr. Chen?"

     

    "I work here part-time. I'm an art history student at Harvard."

     

    "Did you see anything unusual before the theft?"

     

    "No."

     

    "Describe what you saw during the incident. Any distinguishing features of the thieves, anything the security cameras might not have caught."

     

    "It all happened very fast. I looked up from my essay and the alarms were going off. When I ran into the exhibit, they were already leaving. They had on ski masks, black clothes." He hesitated, just for a moment. "I think they were speaking Chinese."

     

    For a moment, the only sound was the scratch of the detective's pen against his notepad. "I see. Do you speak Chinese, Mr. Chen?"

     

    "Yes, I-does it matter? I couldn't really make out what they were saying. The alarms were going off at this point."

     

    "Of course. And do you know what they stole?"

     

    Will thought back to the empty room. If he closed his eyes, he could fit the pieces back where they were supposed to go-a pair of jade tigers, a dragon vase. A jade cup with three crested bronze birds, midflight. "Not really. I've been gone all summer."

     

    The detective slid a sheet of paper across the table. "Can you read the title of this for me?"

     

    It was a printout from the Harvard Crimson, from late August. Will swallowed hard. "'What Is Ours Is Not Ours: Chinese Art and Western Imperialism.'"

     

    "Did you write this?"

     

    "Yes."

     

    The detective leaned forward, his fingertips touching. "Tell me if this sounds suspicious to you: A Chinese student writes an article about looted art, and a few weeks later, Harvard's largest collection of Asian art is robbed. All the priceless pieces mentioned in the article-gone."

     

    Will leaned back in his chair. The golden light made everything feel like a painting, and he let his mind drift for a moment, thinking of the paper on Renaissance art that was due next week, the sculpture he still had to finish for his portfolio. "Not particularly."

     

    "And why is that?"

     

    "I was born in the US, Detective . . ." Will looked for a badge, a name.

     

    "Meyers."

     

    "Detective Meyers."

     

    "What is your-"

     

    "I'm Chinese American," Will said, lingering on the American. He adjusted the rolled-up cuff of his button-down, imagining how his sister would handle this situation. "You said I was Chinese. But I was born and raised in the US, just like you, and I work part-time at the Sackler, and three weeks ago the Crimson published a paper I wrote for an art history class at Harvard. Last time I checked, none of those are crimes. Now, if you'll excuse me, I have homework to do."

     

    "This is procedure, Mr. Chen. I just have a few more questions, if you will-"

     

    Will rose. It might have been a small thing, to be called Chinese instead of Chinese American, to have this detective who spoke in a Boston accent look at him as if this place, this museum, this art didn't belong to him, but-it didn't feel...

על המחבר-
  • Grace D. Li grew up in Pearland, Texas and is a graduate of Duke University, where she studied biology and creative writing. She lives in Northern California and attends medical school at Stanford University. Portrait of a Thief is her debut novel and is currently in development at Netflix, with Grace serving as an executive producer for the series.
ביקורות-
  • AudioFile Magazine Eunice Wong and Austin Ku deftly alternate narration of debut author Li's twisty melange of heist thriller, coming-of-age story, romance, colonization, and the repatriation of artwork. Five Chinese American young adults agree to steal several Chinese zodiac sculptures from five museums in exchange for a $50-million payment from a Chinese corporation. Wong, a gifted storyteller, sounds completely authentic as she portrays Lily, a drag-racing engineering student; Alex, an MIT dropout turned Silicon Valley software engineer; and Irene, a sly public policy major. Ku's characterizations of Irene's brother, Will, an art major at Harvard, and Daniel, a premed student whose father is a crack FBI art investigator, are thoughtful but could be less understated. M.J. © AudioFile 2022, Portland, Maine
  • Library Journal

    September 1, 2022

    Li's debut, a literary heist novel involving looted Chinese art, will undoubtedly be compared to Crazy Rich Asians, as both novels play with genre in order to explore the difficulty of juggling multiple cultural identities, and specifically, what it means to be Chinese American. Another strong central theme is the ethics of modern museums displaying stolen art. The novel alternates between frantic heist sequences and slower, but still gripping, character moments. The audiobook, narrated by Eunice Wong and Austin Ku, splits the point-of-view characters by gender, which mostly works, though it sometimes makes the chapters run together if a narrator reads several in a row. Further, since the characters frequently interact with each other, listeners will have to learn two sets of voices for the character. Still, both narrators are a pleasure to listen to, bringing each character's struggles to life. Their performance is vital to keeping the introspective parts of the story as interesting as the heist sections. VERDICT Listeners may finish this book feeling as if they've learned plenty, but so palatably wrapped in cleverly delicious plotting.--Matthew Galloway

    Copyright 2022 Library Journal, LLC Used with permission.

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Portrait of a Thief
Portrait of a Thief
A Novel
Grace D. Li
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