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From the author of the acclaimed novel A Pigeon and a Boy comes a charming tale of family ties, over-the-top housekeeping, and the sport of storytelling in Nahalal, the village of Meir Shalev’s birth. Here we meet Shalev’s amazing Grandma Tonia, who arrived in Palestine by boat from Russia in 1923 and lived in a constant state of battle with what she viewed as the family’s biggest enemy in their new land: dirt.
Grandma Tonia was never seen without a cleaning rag over her shoulder. She received visitors outdoors. She allowed only the most privileged guests to enter her spotless house. Hilarious and touching, Grandma Tonia and her regulations come richly to life in a narrative that circles around the arrival into the family’s dusty agricultural midst of the big, shiny American sweeper sent as a gift by Great-uncle Yeshayahu (he who had shockingly emigrated to the sinful capitalist heaven of Los Angeles!). America, to little Meir and to his forebears, was a land of hedonism and enchanting progress; of tempting luxuries, dangerous music, and degenerate gum-chewing; and of women with painted fingernails. The sweeper, a stealth weapon from Grandpa Aharon’s American brother meant to beguile the hardworking socialist household with a bit of American ease, was symbolic of the conflicts and visions of the family in every respect.
The fate of Tonia’s “svieeperrr”—hidden away for decades in a spotless closed-off bathroom after its initial use—is a family mystery that Shalev determines to solve. The result, in this cheerful translation by Evan Fallenberg, is pure delight, as Shalev brings to life the obsessive but loving Tonia, the pioneers who gave his childhood its spirit of wonder, and the grit and humor of people building ever-new lives.
From the author of the acclaimed novel A Pigeon and a Boy comes a charming tale of family ties, over-the-top housekeeping, and the sport of storytelling in Nahalal, the village of Meir Shalev’s birth. Here we meet Shalev’s amazing Grandma Tonia, who arrived in Palestine by boat from Russia in 1923 and lived in a constant state of battle with what she viewed as the family’s biggest enemy in their new land: dirt.
Grandma Tonia was never seen without a cleaning rag over her shoulder. She received visitors outdoors. She allowed only the most privileged guests to enter her spotless house. Hilarious and touching, Grandma Tonia and her regulations come richly to life in a narrative that circles around the arrival into the family’s dusty agricultural midst of the big, shiny American sweeper sent as a gift by Great-uncle Yeshayahu (he who had shockingly emigrated to the sinful capitalist heaven of Los Angeles!). America, to little Meir and to his forebears, was a land of hedonism and enchanting progress; of tempting luxuries, dangerous music, and degenerate gum-chewing; and of women with painted fingernails. The sweeper, a stealth weapon from Grandpa Aharon’s American brother meant to beguile the hardworking socialist household with a bit of American ease, was symbolic of the conflicts and visions of the family in every respect.
The fate of Tonia’s “svieeperrr”—hidden away for decades in a spotless closed-off bathroom after its initial use—is a family mystery that Shalev determines to solve. The result, in this cheerful translation by Evan Fallenberg, is pure delight, as Shalev brings to life the obsessive but loving Tonia, the pioneers who gave his childhood its spirit of wonder, and the grit and humor of people building ever-new lives.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Excerpts-
Chapter One
1
This is how it was: Several years ago, on a hot summer day, I rose from a pleasant afternoon nap and made a cup of coffee for myself, and while I stood sipping from the mug I noticed that everyone was looking strangely at me and holding back their laughter. When I bent down to put my sandals on I discovered the reason: my toenails, all ten of them, had been painted with shiny red nail polish.
“What is this?” I cried. “Who painted my toenails?”
From the other side of the porch door, which stood ajar, came the sound of giggling that I recognized at once from previous incidents.
“I know who did this,” I said, raising my voice. “I’ll find you and I’ll catch you and I’ll paint your noses and your ears with the very same shiny red polish you used on my toes, and I’ll manage to do it all before my coffee turns cold!”
The giggles became laughter that confirmed my suspicions. While I lay sleeping, my brother’s two little daughters, Roni and Naomi, had stolen in and painted my toenails. Later they would tell me that the younger of the two had done four nails while her older sister had done the other six. They had hoped I would not notice and that I would walk out in public, only to be scorned and ridiculed. But now that their scheme had been unmasked they burst into the room and pleaded: “Don’t take it off, don’t, it’s really pretty.”
I told them that I, too, thought it was really pretty, but that there was a problem: I had been invited to “an important event” where I was expected to speak, but I could not appear before the crowd with painted nails, since it was summer and in summer I wear sandals.
The girls said that they were familiar with both matters—the important event and my custom of wearing sandals—and that this was precisely the reason they had done what they did.
I told them that I would go to any other important event with shiny red toenails but not to this important event. And that was because of the crowd that would gather there, a crowd no sane man would appear before with painted toenails—and red ones, no less.
The event we were talking about was the inauguration of the old arms cache used by the Haganah, a Jewish paramilitary organization that operated in Palestine during the British Mandate. The cache had been built on a farm in the village of Nahalal and disguised to look like a cowshed cesspool. In my novel The Blue Mountain I had described an arms cache that never existed in a village that never existed in the Jezreel Valley, but my arms cache was also built and disguised exactly the same way. After the book was published, readers began to show up on the real farm in the real village, asking to see the real cache.
Rumor passed by word of mouth, the number of visitors grew and became a nuisance, and the owners of the property were smart enough to make the best of their situation. They renovated the cache, set up a small visitors’ center, and thus added a new stream of income to their farm. That day, when my brother’s two young daughters painted my toenails with red polish, was the day the renovated arms cache was being inaugurated, and I had been invited as one of the speakers at the ceremony.
“Now bring some nail polish remover and get this pretty stuff off me,” I told Roni and Naomi. “And please hurry up because I have to get going already!”
The two refused. “Go like that!”...
About the Author-
One of Israel's most celebrated novelists, MEIR SHALEV was born in 1948 on Nahalal, Israel's first moshav. His books have been translated into more than twenty-five languages and his honors include the National Jewish Book Award and Israel's Brenner Prize for A Pigeon and a Boy. He died in 2023.
Reviews-
May 23, 2011 In this tender, hilarious memoir of his grandparents' early life as new settlers to Palestine, Israeli author Shalev (A Pigeon and a Boy) evokes all his idealism and disappointments in Zionism. A new GE vacuum cleaner sent by Uncle Yeshayahu in America underscored for the hard-working migrants from Russia to mid-1930s Palestine their poverty and their pride: while Uncle Yeshayahu had gone to Los Angeles to become a rich businessman, his brother, Aharon, and sister-in-law, Tonia, migrated to Palestine, resolved to plow the land, creating a socialist state and "foothold for persecuted and wandering Jews." However, it was undeniably backbreaking labor, especially for the author's grandma Tonia, a woman originally from the Ukrainian village of Rokitno, who is obsessed with cleaning the dust from her house and jealously guards the "svieeperrr" in the locked bathroom, never to use it again, mostly because it too will get dirty. The author joyfully remembers those days he spent as a boy with his grandparents in the bucolic Jezreel Valley, and in this quirky tribute commemorates the spirit of an exacting, tireless character who was "the purified essence of us all, for better and worse."
July 1, 2011
Breezy chronicle of life with a hardworking Russian family headed by an obsessive matriarch with a "dirt phobia."
Award-winning Israeli writer Shalev's (Beginnings: Reflections on the Bible's Intriguing Firsts, 2010, etc.) delightful family memoir focuses on a joyful boyhood spent with his grandparents Aharon and Tonia through the decades following their migration to Palestine in the 1920s (both elders hailed from small Ukrainian villages). The author's grandmother, Tonia, a practical, tightly-wound cleaning sensation, had always been a woman who methodically carried a dust rag on her shoulder, but the gift of a powerful General Electric vacuum sent from Shalev's uncle was completely unexpected. The present both surprised and irritated Tonia and Aharon. Tonia was used to doing her own housekeeping unassisted by mechanical intervention, and Aharon felt it was a offering from a relative who'd swapped their adopted Zionistic beliefs for "American capitalism" by emigrating to Los Angeles, changing his name and becoming a businessman who reaped more self-satisfied rewards than the rest of the family. The author gleefully describes his hardworking grandmother's eccentricities with affectionate amusement and without mockery. As a young boy, to help prepare for the family Seder, Shalev was allowed access to Tonia's forbidden rooms, where he discovered abandoned furniture draped in "old-sheet shrouds," as well as inside the typically locked, second bathroom, where the vacuum cleaner (her "svieeperrr") sat, unused, for fear that it would become soiled if operated. The author unveils Tonia's stringent unwillingness to allow visitors to traipse through the clean, carefully segregated house, preferring to entertain outside, and her startlingly outspoken declaration that "a young man should change girls like he does socks." Rife with colloquialisms and native dialects, Shalev's personal reflections of quirky uncles, family squabbles, the rich history of his Jewish heritage and the legacy of the omnipresent American vacuum touch the heart and tickle the funny bone.
An unconventional and quite hilarious family scrapbook.
(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
September 1, 2011 Award-winning Israeli author Shalev delivers a punchy family memoir that examines his relationship with his grandmother. Grandma Tonia, whoas a young woman immigrated to Israel and married, is obsessed with cleanliness. When her husband's oldest brother sends an American vacuum cleaner from Los Angeles, however, she locks it in the bathroom, where it lives in dark and lonely confinement wrapped in its white shroud and as clean as the day it was born, untainted by dust. Clearly and accessibly translated by PEN Translation Prize finalist Fallenberg, this memoir composed of a series of engaging anecdotes, mostly about Shalev's training in Grandma Tonia's University of Cleaning, grants readers a glimpse into the zany aspects of immigrant culture and acclimation. Shalev strives to gain a deeper understanding of his grandmother through her past, mannerisms, and behavior, and thereby presents a unique, three-dimensional character. Ultimately, his memoir celebrates family, quirks and all.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)
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Bahrain, Egypt, Hong Kong, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Mauritania, Morocco, Oman, Palestine, Qatar, Saudi Arabia, the Sudan, the Syrian Arab Republic, Tunisia, Turkey, the United Arab Emirates, and Yemen
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