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The Routledge Handbook of Museums, Media and Communication
Cover of The Routledge Handbook of Museums, Media and Communication
The Routledge Handbook of Museums, Media and Communication
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Museums today find themselves within a mediatised society, where everyday life is conducted in a data-full and technology-rich context. In fact, museums are themselves mediatised: they present a uniquely media-centred environment, in which communicative media is a constitutive property of their organisation and of the visitor experience. The Routledge Handbook of Museums, Media and Communication explores what it means to take mediated communication as a key concept for museum studies and as a sensitising lens for media-related museum practice on the ground.

Including contributions from experts around the world, this original and innovative Handbook shares a nuanced and precise understanding of media, media concepts and media terminology, rehearsing new locations for writing on museum media and giving voice to new subject alignments. As a whole, the volume breaks new ground by reframing mediated museum communication as a resource for an inclusive understanding of current museum developments.

The Routledge Handbook of Museums, Media and Communication will appeal to both students and scholars, as well as to practitioners involved in the visioning, design and delivery of mediated communication in the museum. It teaches us not just how to study museums, but how to go about being a museum in today's world.

The book is available for free in PDF format as Open Access at www.taylorfrancis.com. It has been made available under a a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license

Museums today find themselves within a mediatised society, where everyday life is conducted in a data-full and technology-rich context. In fact, museums are themselves mediatised: they present a uniquely media-centred environment, in which communicative media is a constitutive property of their organisation and of the visitor experience. The Routledge Handbook of Museums, Media and Communication explores what it means to take mediated communication as a key concept for museum studies and as a sensitising lens for media-related museum practice on the ground.

Including contributions from experts around the world, this original and innovative Handbook shares a nuanced and precise understanding of media, media concepts and media terminology, rehearsing new locations for writing on museum media and giving voice to new subject alignments. As a whole, the volume breaks new ground by reframing mediated museum communication as a resource for an inclusive understanding of current museum developments.

The Routledge Handbook of Museums, Media and Communication will appeal to both students and scholars, as well as to practitioners involved in the visioning, design and delivery of mediated communication in the museum. It teaches us not just how to study museums, but how to go about being a museum in today's world.

The book is available for free in PDF format as Open Access at www.taylorfrancis.com. It has been made available under a a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license

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Table of Contents-
  • Contents

    List of figures

    List of tables

    List of contributors

    Acknowledgements

    Volume introduction: MEDIA, MEDIATIZATION AND MUSEUMS: A NEW ENSEMBLE

    The editors

    Section 1: FOUNDATIONS

    1.0

    Section introduction

    The editors

    1.1

    Walk-in media: International exhibitions as media space

    Anders Ekström

    1.2

    The museum as a media producer: Innovation before the

    digital age

    Peter Pavement

    1.3

    Revisiting the utopian promise of interpretive media:

    An autoethnographic analysis drawn from art museums, 1991–2017

    Peter Samis

    1.4

    Online collections, curatorial agency and machine-assisted curating

    Bodil Axelsson

    1.5

    Visitor and audience research in museums

    Susan Anderson

    Section 2: ENVIRONMENTS

    2.0

    Section introduction

    The editors

    2.1

    Rethinking museum/community partnerships: Science and natural history museums and the challenges of communicating climate change

    Karen Knutson

    2.2

    Mobile media, mobility and mobilisation in the current museum field

    Rikke Haller Baggesen

    2.3

    Learning and engagement in museum mediascapes

    Palmyre Pierroux

    2.4

    The museum as an arena for cultural citizenship: Exploring modes of engagement for audience empowerment

    Pille Pruulmann-Vengerfeldt and Pille Runnel

    2.5

    The museum as a charged space: The duality of digital museum communication

    Bjarki Valtysson and Nanna Holdgaard

    Section 3: PRACTICES

    3.0

    Section introduction

    The editors

    3.1

    From elsewhere to everywhere: Evolving the distributed

    museum into the pervasive museum

    Vince Dziekan and Nancy Proctor

    3.2

    Digital media ethics and museum communication

    Jenny Kidd

    3.3

    Complexities of collaborating: Understanding and managing differences in collaborative design of museum communication

    Line Vestergaard Knudsen and Anne Rørbæk Olesen

    3.4

    Participation in design and changing practices of museum development

    Dagny Stuedahl

    Section 4: VISUAL ESSAY

    4.0

    Incident(al) Readings

    Vince Dziekan

    Section 5: DIRECTIONS

    5.0

    Section introduction

    The editors

    5.1

    Smart media: Museums in the new data terroir

    Lauren Vargas

    5.2

    The proliferation of aura: Facsimiles, authenticity and digital objects

    Sarah Kenderdine and Andrew Yip

    5.3

    Assets, platforms and affordances: The constitutive role of media in the museum

    Kathleen Pirrie Adams

    5.4

    Feeling the Exhibition: Design for an Immersive and Sensory Exhibition Experience

    Maholo Uchida and Jingyu Peng

    5.5

    Museums and cultural diversity: A persistent challenge

    Ien Ang

    Index

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