OverDrive מעוניין להשתמש בעוגיות כדי לשמור מידע על המחשב שלך, בכדי לשפר את חוויית המשתמש שלך באתר שלנו. אחת מהעוגיות בהן אנחנו משתמשים היא הכרחית לתפעולם של היבטים מסוימים של האתר וכבר הותקנה. את/ה יכול/ה למחוק ולחסום את כל העוגיות מאתר זה, אבל זה עלול להשפיע על תכונות או שירותים מסוימים של האתר. כדי ללמוד עוד על העוגיות בהן אנחנו משתמשים ועל איך מוחקים אותן, ליחץ/י כאן כדי לראות את מגיניות הפרטיות שלנו.
Five stories from influential women writers of the nineteenth century and the first decades of the twentieth century. New Zealand-born Katherine Mansfield settled in England where she wrote a series of short stories that are widely recognised as among the finest of the twentieth century for their economy, clarity, sensitivity and effect. 'The Garden Party' is one of her most famous, while 'Daughters of the Late Colonel' shows a wonderful sense of wit. Kate Chopin, writing in the last years of the nineteenth century, broke new ground with her daring view of women as individuals with human needs. 'Lilacs' and 'Ma'ame Pelagie' are sympathetic portraits of women with differing dilemmas. Woolf's 'A Mark on the Wall' shows, in short story form, the turmoil within the stillness which became such a mark of her later novels.
Five stories from influential women writers of the nineteenth century and the first decades of the twentieth century. New Zealand-born Katherine Mansfield settled in England where she wrote a series of short stories that are widely recognised as among the finest of the twentieth century for their economy, clarity, sensitivity and effect. 'The Garden Party' is one of her most famous, while 'Daughters of the Late Colonel' shows a wonderful sense of wit. Kate Chopin, writing in the last years of the nineteenth century, broke new ground with her daring view of women as individuals with human needs. 'Lilacs' and 'Ma'ame Pelagie' are sympathetic portraits of women with differing dilemmas. Woolf's 'A Mark on the Wall' shows, in short story form, the turmoil within the stillness which became such a mark of her later novels.
בשל מגבלות הוצאה לאור, הספר הזה בפורמט קינדל לא יכול להיות מועבר באופן אלחוטי ויש להורידו ולהעבירו באמצעות USB.
עקב הגבלות המוציא לאור הספריה אינה יכולה לרכוש עותקים נוספים של הכותר, אנו מתנצלים אם יש רשימת המתנה ארוכה. וודא שבדקת עותקים אחרים, מכיוון שיכולות להיות מהדורות אחרות זמינות.
This collection presents two stories of Katherine Mansfield and Kate Chopin and one of Virginia Woolf. One of the the stories--"The Daughters of the Late Colonel"--is abridged. The selected stories offer an opportunity to sample the work of three important writers from the twentieth century. Teresa Gallagher, Carole Boyd, and Liza Ross are powerful narrators, who draw out the style of these remarkable women writers. Musical segues between the stories and notes that provide time for each side are helpful although turning to a particular story will take some hunting. Listing times by story on a particular side would make this less of a challenge. In any event, this is a nice collection, well read. J.E.M. 2003 Audie Award Winner (c) AudioFile 2002, Portland, Maine
February 4, 2002 Audio Reviews reflect PW's assessment of the audio adaptation of a book and should be quoted only in reference to the audio version. Fiction CLASSIC WOMEN'S SHORT STORIES Katherine Mansfield, Kate Chopin and Virginia Woolf; read by Carole Boyd, Liza Ross and Teresa Gallagher. Naxos Audiobooks, unabridged, two cassettes, 3 hrs., $13.98 ISBN 9-62634-738-4 This fine collection of classic tales by women is complemented by appropriate, unobtrusive classical music from the Naxos music catalogue, along with a booklet with biographies of the authors and readers. All of the narrators are exemplary, but Teresa Gallagher's performance of Virginia Woolf's "The Mark on the Wall" stands out. In this unusual stream-of-consciousness story, a woman sitting idly in her home notices a tiny speck on the wall, and as she wonders what it is (a hole from a nail? Dirt? An insect?) her thoughts wander to the people who owned the house previously, to history, to philosophy, to her own life and always back to the mark on the wall. Gallagher sounds completely spontaneous: listeners can easily believe that she truly is daydreaming and thinking aloud. In Katherine Mansfield's "The Garden Party," Carole Boyd's insightful performance accurately portrays British class distinctions post-WWI. Laura, an elite young girl, frets that her family should cancel their long-anticipated party out of respect when a workman is killed in front of their house, but her elders hush her, believing that "people like that" wouldn't expect them to spoil their fun. Boyd deftly creates character voices for Laura, her family, the home and garden workers, and for the poverty-stricken family that she later visits. Her reading conveys Laura's conflict between her former comfortable ignorance and her new social awareness.
Six stories by female authors: Holtby, Nesbitt, Woolf, Mansfield, Wharton and Gaskell. The stories are a mix of the familiar and the new, and Harriet Walter's reading brings a sense of discovery to all. The stories have diverse themes, but all demonstrate strong feminist undertones. From the ironical and cynical "Bliss," to the tragedy of "The Half Brothers," a range of human feelings is explored. Walter's gentle dramatization of the characters brings the stories to life and enables the listener to appreciate their many nuances. E.L.C. (c)AudioFile, Portland, Maine
Culture (supplement to the Sunday Times)
“The enhancement of its audio books with music is a Naxos trademark, and the lightest of touches on the piano creates a haunting counterpoint to the unhappy ending of Lilacs by Kate Chopin, although none of the readers here needs any help. Boyd reads Mansfield’s The Daughters of the Late Colonel, handling the pity and the awful comedy of the bereaved sisters’ situation with consummate grace. Ross and Gallagher are also equal to the material. This is quality listening.”
Literary Review
“The three readers have a genius mimicry of different social accents and changing moods.”
Book Page
"The [stories] are wonderfully read, with a woman's nuanced understanding, by Liza Ross and Teresa Gallagher."
AudioFile Magazine
“This collection presents stories [which] offer an opportunity to sample the work of three important writers from the twentieth century. Teresa Gallagher, Carole Boyd, and Liza Ross are powerful narrators, who draw out the style of these remarkable women writers.”
Publisher's Weekly
"This fine collection of classic tales by women is complemented by appropriate unobtrusive classical music from the Naxos music catalogue, along with a booklet with biographies of the authors and readers. All of the narrators are exemplary, but Teresa Gallagher's performance of Virginia Woolf's 'The Mark on the Wall' stands out."
Boston Sunday Globe, The (Cleveland) Plain Dealer, The Star Tribune, The Hartford Courant
“Three British actresses bring these atmospheric stories to life. They are enhanced by piano and string music, which is used to break up the passages. The women adopt fresh tones and accents for the different characters, hailing from various walks of life. Most important, they capture the isolation, suffering, and sly humor expressed by the authors.”
School Library Journal
“Carole Boyd, Liza Ross, and Teresa Gallagher are well-chosen for the stories each of them reads, melding their tones both to the characters and to the writer’s narrative style. The publisher’s typical musical interludes are chosen well to offset the period moods of both the parts and the whole.”
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This collection presents two stories of Katherine Mansfield and Kate Chopin and one of Virginia Woolf. One of the the stories--"The Daughters of the Late Colonel"--is abridged. The selected stories offer an opportunity to sample the work of three important writers from the twentieth century. Teresa Gallagher, Carole Boyd, and Liza Ross are powerful narrators, who draw out the style of these remarkable women writers. Musical segues between the stories and notes that provide time for each side are helpful although turning to a particular story will take some hunting. Listing times by story on a particular side would make this less of a challenge. In any event, this is a nice collection, well read. J.E.M. 2003 Audie Award Winner (c) AudioFile 2002, Portland, Maine
